National Repository of Grey Literature 39 records found  1 - 10nextend  jump to record: Search took 0.02 seconds. 
The role and utilization the ballet company in the Czechoslovak television in 70s and 80s of the 20th century
Horáková, Karolína ; Štoll, Martin (advisor) ; Bednařík, Petr (referee)
This thesis deals with the role and utilization of the ballet company in Czechoslovak Television programmes in the 1970s and 1980s. The author first introduces the reader to the context of the chosen topic. Using literary research, she introduces the period of normalization and the functioning of Czechoslovak Television at that time, and then captures the various definitions and divisions of dance or the characteristics of television genres, more specifically entertainment as a television genre. In the analytical part, the author traces the origin and functioning of the ballet company and its role in ČST programmes. The programmes in question are Televarieté or Kabaret u dobré pohody. In the analysis, the author also devotes space to the transformation of dance as an element of television entertainment. The information needed for this thesis was available primarily in the Czech Television's archive and programme funds. In addition, the author made extensive use of the iVysílání platform.
Army and Security: The Role of Czechoslovak Television's Army, Security and Military Ability Department between 1958 and 1990
Krušinová, Karolína ; Štoll, Martin (advisor) ; Růžička, Daniel (referee)
This diploma thesis deals with the history and functioning of Czechoslovak Television's Army, Security and Military Ability Department in the years 1958-1990. The author first introduces the reader to the historical context and maps the changes that Czechoslovak Television went through in connection with political situation, with an emphasis on the period of the Prague Spring, August 1968, and the subsequent onset of normalization. This part of the thesis also introduces readers to the position of the media in the political mechanism of Czechoslovakia and its interventions in the functioning of the media. The thesis also deals in detail with the Television's Army, Security and Military Ability Department itself, its main tasks, history and contractually secured connection to the Federal Ministry of the Interior and the Federal Ministry of Defence. In this part of the thesis, the method of department's financing and organizational structure are also described, including the tasks of employees and the editor-in-chief Miloslav Broumský. The author draws not only from available book sources, but mainly from internal primary sources obtained during archival research in the archives of Czech Television, the National Archive and the Military Historical Archive. Information obtained through archival...
Masters of Communication. The profession of Television Program Announcers
Rusová, Michaela ; Štoll, Martin (advisor) ; Bednařík, Petr (referee)
This diploma thesis Masters of Communication. The profession of Television Program Announcers deals with the origins, formation and reflection of the professional activity of television program announcers who worked in Czechoslovak and later Czech Television from 1956 to 2005. The thesis tries to reveal what factors influenced the creation, institutionalization and subsequent course of this now extinct profession. The author proceeds from a theoretical framework devoted to the communication situation of the television and definition of the communication role of the television announcers. The oral history method was used for the processing of the presented diploma thesis, in the framework of which interviews were conducted with four contemporary witnesses from the ranks of television program announcers of the time. Thanks to this method, the reflection of professional activity based on the memories of witnesses is discussed in the thesis. In addition, period documents obtained from the Archive and program funds as well as the File Archive of the Czech Television were used in order to grasp the historical-contemporary context that influenced the practice of this profession.
The image of a socialist citizen in the normalization series of Czechoslovak television
Müllerová, Anne-Marie ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
This diploma thesis tackles selected series of Czechoslovak Television from the normalization era. Series are examined on the basis of predefined categories. In this work, the author focuses on the everyday life of the main characters. We can classify the categories into two types - the personal and professional lives of the main characters are mainly examined. During the period of normalization, television viewers were exposed to everyday propaganda, which also became part of television production. In drama gendre, the protagonists of the series were to present patterns of behavior for the average socialist citizen. For this research were selected following series from normalization era: Muž na radnici (1976), Žena za pultem (1977), Nemocnice na kraji města (1978 and 1981) and Iženýrská odysea (1979). The author first introduces the reader to the historical context that is important for this topic. The analytical part of the work deals with the description and analysis of individual series and is answering to research questions. The reality of series is presented and than confronted with the reality of normalization era. Based on the analysis, it was confirmed that the main characters of the series represented certain patterns for the audience. E.g. The main hero of Muž na radnici, František...
Czech Union of Journalists during The Prague Spring
Suková, Jana ; Cebe, Jan (advisor) ; Končelík, Jakub (referee)
This bachelor thesis describes the Czech Union of Journalists in the Prague Spring. The aim is not only to analyze details of the situation in the Union of Journalists, who in 1968 went trough a major ideological change, but also on the issue of the journalists in the long term. I want to focus on the development of Union in 1968 and attempt to find answers to these questions: When did the Union became the authority that supported the reform ideas of the late 60's? Why there was a break between the members of the journalistic organization? In addition this work should uncover the relationship between the general development of the situation in Czechoslovakia and the Union of Journalists, to explain some of the attitudes of journalistic organization at the time. Finally, the work does not neglect neither media area as Czechoslovak Television, Czechoslovak Radio and all printed materials which were always shaped mainly by journalists. Therefore this work deals with the close relationship between the Union of journalists and media in general. Especially, this relationship in my work is raised during the first days of the occupation that Czechoslovakia affected on 21st August 1968, during which the media, thanks to relentless work of journalists, has become indispensable organizers of social events.
The Onset of Normalisation in the Czechoslovak Television
Slunečková, Karin ; Štoll, Martin (advisor) ; Bednařík, Petr (referee)
This thesis tackles the onset of normalisation in Czechoslovak Television between 1969-1975. Firstly the author introduces the reader to the subject through the historical context. Above all, the thesis focuses on dramatic changes that affected Czechoslovak Television in that era. Further, the thesis is dedicated to one of main players and representatives of normalisation in Czechoslovak media, general director of Czechoslovak Television Jan Zelenka, who remained in office between years 1969 and 1989. The author uses not only published sources, but also internal documents and databases of Czechoslovak Television and documents from the National Archive. In the analytical part of the thesis the author describes the function and structure of Ideological Thematic Plans which served as a foundation document for the TV broadcasting for one year to the next. Using the Ideological Thematic Plan of 1973 the author analyses their content. The author carries out an in-depth analysis of three TV programmes chosen from the Ideological Thematic Plan of 1973. These programmes represent three different genres - a broadcast targeting the young Through Young Eyes (Mladýma očima), a television series of nine episodes Mother (Matka), and a feature film, And Give My Love to the Swallows (…a pozdravuj vlaštovky)....
Television Youth Club 1973-1984: motives, agents, ideology.
Koláčková, Terezie ; Pullmann, Michal (advisor) ; Michela, Miroslav (referee)
The topic of this thesis is a journalistic program Television Youth Club between 1973 and 1984. The thesis investigates establishment of broadcast for children and young till 1968. The next part of the thesis discusses Main redaction for children and young between 1973 and 1984 - its composition, creation and feedback from audience. But the main topic of the thesis is the Television Youth Club. It observes its formation and evolution, analyzes topics of program and their ideology. It stops at the creative team, traces audience feedback as well as evaluation from higher authorities and elimination of some members of the team. On this program thesis wants to show how the programs were created in Czechoslovak television and what atmosphere was there. And it tries to disprove that in Czechoslovak television were created only poor-quality and superficial ideological works in that period. It has always depended on team of people - how they deal with their task of program. Key words: Television Youth Club, Main redaction for children and young, journalism, programs for young, Czechoslovak television
Jiří Chalupa and his fairytale world in Czechoslovak and Czech Television
Valová, Nikola ; Kruml, Milan (advisor) ; Růžička, Daniel (referee)
The diploma thesis depicts the personality of Jiří Chalupa and his fairytale work in Czechoslovak and Czech Television. It presents a brief biography of this representative of children's television production and explores his personal style. In addition to the analysis of eight Chalupa's fairy tales, this thesis deals with television fairy tales in general, their transformation and significance. The first part of the study summarizes the theory of the fairy tale from a literary point of view. This is followed by a historical excursion to Czechoslovak and Czech Television with an emphasis on political influence. In a separate chapter, it focuses on television work for children, its representatives, changes and importance. In the next section, attention is shifted to the film and television adapting of fairy tales. The second half of the work is devoted to the life and work of Jiří Chalupa and the analysis of TV fairy tales, made according to his screenplays.
Archive of photography of the czech television Ostrava (photography as a source of information)
Bednář, Marek ; Hrdina, Jiří (advisor) ; Štoll, Martin (referee)
This thesis focuses on photography in the work of Television studio Ostrava, a part of Czechoslovak television, during a period of 1969-1989, called normalisation, the reflection of this period after the year 1989 and mainly the photography archive of said institution. It may be presumed that communist propaganda and other efforts of normalisation will be apparent in the documentaries and other products concentrating on photography. The region of Ostrava also has its own cultural specificity due to its mainly industrial nature; the region is characterised by coal mining and metallurgy. Thus it may be presumed that communism will be planted in the minds of the people more firmly. The thesis also contains a theoretical framework, describing socialist realism in photography and normalisation in photography as well as in the television studio in question. In order to verify these hypotheses and to discover other important facts of the topic in question, a content analysis of data available in the archive of Television studio Ostrava was carried out. The archive suffered grave losses during major flooding of Moravia and Silesia in 1997. However, some films and many actual photographs were still available for analysis. The findings relevant to each document are stated in their respective parts and are...

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